John turns 70 today. Difficult to find words for or about him that yet haven't be said or written, so I'll let his pinsel expresss something visual for himself in my place.
This is the particular of a self portrait that he made in 1971.
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I always wondered - "What among his records would he choose to represent himself, if he was here now to decide?" - And I often thought that the early years with Yoko must have been the most happy and creative for him, if her closeness allowed him to conceive masterpieces like "JL & Plastic Ono Band" and "Imagine". And the three "impossible " records full of alternative sonor material which he published in 1968 and 1969, give a precise characterization of his mood and inspiration, something complementary that can't be separated from his exquisitely musical albums, they should be considered part of the same artistic "construction". Therefore, in a way, I consider them representative of those years, important in the same measure of "Imagine".
For these reasons, I also feel like saying a big 'Thankyou' to Yoko, a Lady I always admired.
Above: the famous CAKE present in the box of "Wedding album": it was just a photograph, but the album wasn't too easy to find - not even in those early 70s - and I remember of certain people who just read a description on some magazines, but never saw a copy of it, nor ever heard it from other owners, who were asking me: - "But rrrreally there was a REAL piece of REAL cake inside the box?!?!?!".....
above and below: the giant poster, front and back
below: one of the many pages of a booklet named "The Press"
Impossible to take pictures of all the gadgets and books present inside "Wedding album" ;-) ...
Above: the big poster included in "Imagine".
Below: the postcard inside "Imagine", meant as an unspoken but direct attack to Paul McCartney (specifically: a parody of his cover of the album "Ram", released five months earlier), as if the text of "How do you sleep?" wasn't enough.
COUNTESS V